BY LINDSEY SHAW
With an inscrutably angelic pitch to his voice — one that’s so convincingly feminine you may be surprised to learn Christopher Michael Taylor’s gender after listening to a SOHN album — the dynamic musician based in Vienna debuted his first album, Tremors, in 2014. Since the beginning of his enigmatic trajectory, he’s delivered such whimsical, electronic melds like “The Wheel” and “Bloodflows,” following suit with a discography that could easily serve as a soundtrack for an emotive video game. (Perhaps a new age Zelda with enviable beats?) His latest installment, Silhouettes, takes things to another level of musical genius.