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Feist, Seu Jorge, Melt Banana, The Veils


FEIST
What is it that attracts us to Ms. Leslie Feist? Is it her looks? Her voice? Her Parisian flavor with a touch of Canadian heart? Whatever the reason, the allure to the music of Feist constantly changes like every inflection that passes through her lips as she sings. Though she may roll her eyes and kindly smile at the notion of being something of a buzz among the indie music scene (and now breaking into the mainstream with a slot on the Billboard charts for her new album The Reminder), Feist must certainly marvel at the attention that has been lavished upon her. From her work with artists such as Broken Social Scene and dear friend Peaches, Feist became sort of the girl next door — you knew about her but never knew the whole story. The Reminder continues the tale of Feist, but it’s a tale that some may find already familiar. (Appearing with Grizzly Bear at the Vic on June 19) –text: Chris Castaneda


SEU JORGE
Seu Jorge’s deep raspy voice over playful guitar would sound just as welcome on the beaches of Rio as in an underwater research center with Steve Zissou. Best known this side of the equator for his delightful, heartfelt David Bowie covers and roles in The Life Aquatic and City of God, Mister Jorge won’t let it stay that way for long. His 2005 international debut and second solo album Cru (Wrasse Records) touches lightheartedly on everything from sweet love songs to the pandemic of breast implants in his native Brazil. “I will never make a cerebral or intellectual record,” Jorge says. “I make records for the people to touch their hearts.” The acoustic guitar is his favorite accompaniment, while percussion and light electronics produce hip hop and samba-style beats. Currently recording Brasil America, fans looking for more will likely get a sneak peek at his special Chicago appearance this month. (Appearing with Cesária Évora at Ravinia on June 17) –text: Justine Reisinger–photo: Jorge Camarotti


MELT BANANA
For a band with over 30 releases in its 15 years of existence, Melt Banana certainly don’t seem to be losing any steam. The band’s continuous musical onslaught, including splits with legends of loud and abrasive music such as Discordance Axis and Merzbow, has won this Tokyo group praise across the world. Melt Banana’s ferocious live show, occasionally featuring Dave Witte on drums, cements the belief that they may very well be the best ‘noise rock’ band in the world. It has gotten to the point where wild rumors have started to spread about their live show, most notably speculation that guitar player Agata has a disease due to the surgical mask he wears. Melt Banana is a band that will make you believe their hype — and if you can’t feed off the energy from their live shows, you may not have a pulse. (Appearing with Cheer Accident and Locks at Abbey Pub on June 21) –text: Hal Conick–photo: Spex


THE VEILS
With a new band and new LP release, The Veils are revitalized and ready to hit the States. After breaking away from his former band, singer/songwriter/guitarist Finn Andrews retreated to his childhood home in New Zealand to write his latest creation, Nux Vomica. After rounding up former classmates Sophia Burn and Liam Gerrard on bass and drums — along with Dan Raishbrook and Henning Dietz on guitar and drums — The Veils return with a sound even more gargantuan than before. Nux Vomica is a staggering composition rich with soulful jazz, folk sentiment, brash melodies, angelic harmonies and pervasive lyrics which linger long after the listening is through. Andrews’ sultry screams only intensify the immense emotion conveyed through his aggressive and biting wit. While each instrument is crisp and discernable, the atmosphere created by The Veils is a uniquely hypnotic and amalgamated entity. (Appearing with The Saturday Nights at Empty Bottle on June 17) –text: Amy Kaufman

Bloc Party, Seu Jorge, The dB’s, The Redwalls


BLOC PARTY
The next big thing: Four-stars from Rolling Stone. Opening for the Pixies. Nomination for the Mercury Prize. A spot on Jimmy Kimmel. A clever band name that incorporates ironic Soviet-inspired spelling. What more could the new progenitors of “dance rock” want? How about a victory lap? September finds Bloc Party returning to Chicago for a collection of the spoils. Largely unknown outside the U.K. in 2004, Bloc Party has gained so much momentum that they now merit a track-by-track remix of their debut album. Silent Alarm Remixed drops on Sept. 13, boasting rebuilt tracks by M83, Death from Above 1979 and Nick Zinner among others. And then there’s the question of that Mercury Prize. The most prestigious music award in Britain has honored the likes of Franz Ferdinand, Dizzee Rascal and Portishead in its 13-year history. Oh, they also dole out £30,000 to the winner. Just another perk for the next big thing. (Appearing with The Kills and The Noisettes at the Congress Theater on Sept. 14) –text: Tim Slowikowski–photo: Roman Barrett


SEU JORGE
How do you connect two big entertainment personalities like Bill Murray and David Bowie? Maybe only by way of rising Brazilian star Seu Jorge. At one time Jorge was a homeless kid in the slums of a town near Rio de Janeiro and it was in these “favelas” that he learned to hone his skill in both music and theater. And so what better person to play the role of guitar-obsessed, Bowie-covering incompetent shipmate in Murray’s 2004 comedy, The Life Aquatic with Steve Zissou? With the upcoming release of his second album Cru on Sept. 6, Jorge blows up a style of Brazilian pop – more specifically, samba – that is accessible to both the pop-loving masses (with its danceability) and those indie fans who obsess over Wes Anderson soundtracks. There are moments of Cru when Jorge’s low-toned vocals anchor soft-stringed acoustic ballads, and others in which he breaks out and shouts. In most moments the style is impassioned and unique – a real breath of fresh air for the world music scene. (Appearing with Boubacar Traore at Logan Square Auditorium on Sept. 18) –text: Josh Zanger–photo: Benoit Pererelli


THE DB’S
The dB’s released a string of critically acclaimed records in the early ’80s that received nearly universal adoration by critics and a small cadre of devotees. As fate would have it, however, the NYC-by-way-of-North Carolina popsters would have to wait 20 years to get their due. The ’80s were known for many things, but good taste wasn’t one of them, and the dB’s called it quits in 1988. Their three major works, 1981′s Stands For Decibels, 1982′s Repercussion, and 1984′s Like This are pop gems, a subtle update on Big Star’s jangle-heavy melodies. The band reunites in September for a quick run of just four shows, two of which are in Chicago. They’ve also recorded some new material, which is as of yet unreleased, although a track available at their Web site (www.thedbsonline.net) sounds intriguing. (Appearing with The Redwalls, The Ponys, Nomo and The M’s at the Hideout Block Party during the day on Sept. 17 and at the House of Blues Back Porch Stage later that night) –text: Don Bartlett–photo: Jake Gorst


THE REDWALLS
By looking to the past, The Redwalls are mapping out a future filled with limitless possibilities. Hailing from Deerfield, Illinois, the one-time Beatles cover band is now scoring high in the Chicago scene. The band’s major label debut De Nova shows The Redwalls a little wiser and more confident, taking aim at the FCC (“Falling Down”) and tackling the war in Iraq (“Glory Of War”). In a summer that has had the band tour the stadiums of the U.K. with Oasis and launch the first day of the reconfigured Lollapalooza, The Redwalls continue to roll on. Tapping into the spirit of the ’60s British Invasion-era of rock music, The Redwalls remember, always, the excitement that first grabbed them. Whether on stage or on record, they are hungry to keep that fire burning and add their voices to the larger song. (Appearing with The M’s, The Ponys, Nomo and The dB’s at the Hideout Block Party on Sept. 17) –text: Chris Castaneda–photo: Daniel Gabbay

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