The annual hipster celebration that is Tomorrow Never Knows, taking place January 15-19 at five venues around town, has announced its 2020 lineup. The miniature SXSW-styled indie music showcase popping up in the middle of Chicago winter since 2005 will be held at Lincoln Hall, Schubas, The Hideout, Metro, and Sleeping Village with 50+ music and comedy acts including Open Mike Eagle, Caroline Polachek, Taylor McFerrin, Born Days, Goth Babe, Slow Pulp, Paul Cherry, Helltrap Nightmare, Frances Quinlan, and many more. Tickets are on sale for $115 for a 5-day pass or may be purchased separately per show.
Ian’s Party, the annual post-New Year’s Eve rager designed to kick you out of your hangover-addled winter stupor, will return to Subterranean and Chop Shop January 3-5 with a stout assemblage of 60+ local bands including Meat Wave, Cheer-Accident, Paper Mice, Post Child, Glitter Moneyyy, The Brokedowns, The Bobby Conn Experience, Airstream Futures, Wood Chickens, Vacation, Two Houses, Little Church and more. Tickets are on sale for $50 for a 3-day pass or $15-$20 per day.
Red Bull Music Festival returns to Chicago this November, hosting eight events featuring more than 40 artists at venues across the city from November 17-30. This is the third year of the event, which began as the month-long “30 Days in Chicago” in 2017 and was changed to Red Bull Music Festival last year. The 2019 event kicks off with a 50th anniversary all-venue celebration at Metro/Smart Bar on November 17 honoring Chicago’s iconic Gramaphone Records with back-to-back sets from local house music legends including Derrick Carter, Jesse de la Pena, DJ Psycho-Bitch and more. Black Monastic plays the Garfield Park Conservatory on November 19, Lupe Fiasco will headline the Riviera on November 21, Smino and his Zero Fatigue label/collective will showcase at Thalia Hall on November 23, and Jamila Woods performs at The Geraghty on November 27. The event concludes with the two-day John Walt Day at Metro on November 29 and 30, headlined by Saba and members of Pivot Gang, with 100% of ticket sales going towards mentorships and scholarships for young Chicago artists via the John Walt Foundation. For more information and tickets, visit the festival site.
by Jake McKenzie
photo by David James Swanson
When a group of famous musicians forms a new project together, it’s often reflexively labeled a “supergroup.” And no doubt Jack White, Brendan Benson, Patrick Keeler, and Jack Lawrence were individual icons in the blues rock world before they formed The Raconteurs. But they soundly reject the term “supergroup,” claiming it describes something temporary. They prefer to think of their ragtag group as “a new band made up of old friends” and their 2019 release, Help Us Stranger, feels a lot like meeting up with old friends. Their first record in 11 years, this album may not have conquered much new ground, but it proves The Raconteurs can still deliver the same ass-kicking sound that fans love. In true Jack White fashion, the band has been playing a handful of secret shows in tiny clubs, and stalwarts of the bluesy garage-inspired rock sound of the aughts will attest that they rock as hard as ever.