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THE WAR ON DRUGS

by Dylan James
photo by Shawn Brackbill

What is “American music” in 2018? That’s an easy one. It’s The War On Drugs. And not just because Adam Granduciel channels Tom Petty, Bob Dylan and Bruce Springsteen into his triumphant tidal wave of indie/emo/folk/rock, but because of how profoundly heartbreaking it all is at its core. On “Pain”, Granduciel sings: “I’ve been pullin’ on a wire but it just won’t break / I’ve been turnin’ up the dial but I hear no sound / I resist what I cannot change / And I wanna find what can’t be found.” It’s an anthem for finding hope in hopelessness, reckoning with what’s already lost, admitting defeat and singing anyway. Because at this point, what else can an American do? It really might not get better, but a song should never lie. Granduciel tells the truth, and sometimes the truth hurts.

7:25-8:25 PM
Red Stage

FLEET FOXES

by Jake McKenzie
photo by Shawn Brackbill

Bastions of the indie folk boom of the late aughts, Fleet Foxes exploded onto the scene in a mist of wool scarves and hypnotic chants with their 2008 self-tilted, Sub Pop-released debut. The launching pad of former drummer Father John Misty, Fleet Foxes and frontman Robin Pecknold have stuck to their guns with the unglamorous sound of the band’s new release Crack-Up, while also exploring more complex melodies and even dipping their toes into psychedelia and African beats. As dense and complex as Crack-Up is, its subsequent tour dates have cemented Pecknold as a consummate crowed-pleaser, playing all the “hits” as it were and always putting on a good show for die-hard fans and casual listeners alike. Crooning their way through hymns and reveries, Fleet Foxes make even the most complicated arrangements seem easy. And their live show is sure to wash over you like warm fuzzy memories of a time that never was.

8:30-9:50 PM
Green Stage

KAITLYN AURELIA SMITH

by Angie Martin
photo by Tim Saccenti

Do you know anything more enthralling or sexy than a woman tweaking and turning a soundboard? Watching composer Kaitlyn Aurelia Smith tinker with hundreds of cords, colorful knobs and blinking lights to make powerfully structured music is like watching a scientist making a world-renowned discovery. Her approach is simple: Smith incorporates winds, percussion, piano and her own voice into ambient, electronic tracks that are as visceral as they are emotional. At times, her music moves us to the dance floor. At others, it turns us inward to meditate and connect with the beauty of music. Her soundboard intricacies make each track simultaneously delicate and powerful. Of all the things we can learn about this woman’s music, here is one prominent takeaway: She is as plugged in to how music can change the mind, body and soul within seconds as her amp is to the stage. 

2:45-3:30 PM
Blue Stage

ZOLA JESUS

by Daniella Thompson
photo by Jesse Draxler

Singer/songwriter Nika Roza Danilova, better known as Zola Jesus, will grace the Pitchfork stage in the early afternoon Saturday, where the (hopefully) bright sunshine will make an odd pairing with her famously haunting vocals backed by her signature dark, electronic beats. Regardless of weather, the combination of Zola’s pulsating synth-pop basslines alongside her operatic singing style make for an emotionally stimulating listening experience. With five full-length albums under belt since 2009, there’s endless possibilities for what should be an electric live performance at this year’s festival. The industrial elements from her previous releases (such as debut album The Spoils) are still very present in her current work but on her latest project Okovi, the reverb and distortion take a backseat while her incredible voice remains in the forefront. With tracks touching on darker topics like depression, sadness and guilt, the meanings behind Zola Jesus songs are equally as impactful as her melodies.

2:30-3:15 PM
Green Stage

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